There are no individual scenes, but fragments, shards that show the constant progression of time." "The changes are rapid as we leap between worlds. And this scene is all about magic," read the directions on one transition scene. "And now we enter a never-world of time change. John Tiffany's direction, Steven Hoggett's dance, Christine Jones's sets and Imogen Heap's music all do the job in making you feel the passing of time that allows you to bond with Albus Potter and Scorpius Malfoy. Like going on holiday with that new boyfriend or girlfriend, the sheer intensity of theatre soaks you in an experience to fast-forward that growing-together feeling. We're already tight with Harry, Ron and Hermoine, but what about the kids? Albus is afraid he will break the family tradition and be sorted into Slytherin rather than Gryffindor. The book begins at Kings Cross Station, with Harrys and Hermione’s respective childrenAlbus Potter and Rose Granger-Weasley going off to Hogwarts for the first time. Harry Potter and the Cursed Child's five hours take place over the course of half a day – or 24 hours if you're seeing it on consecutive days. Harry Potter and the Cursed Child Summary. That helped the audience grow up with the characters, and made that bond increasingly deep over time.
The films took a decade also, from 2001 to 2011. The Harry Potter books were released over a ten-year period between 19. Ron Weasley's jokes are too good to be ruined by reading them "Plays are like sheet music, meant to be sung & we've a cast & crew of pure Beyoncé." 3. "I'd love people to see it, it's better seen than read," he said. Jack himself calls his script a "substitute" for going to see the play – and he's right. His capturing of the teenage experience is perhaps the key factor in the play's success.īut a play it is and a play it remains. It's just a recipe book.Īs acknowledged in the Digital Spy review, Jack Thorne's script is more than well-written. But the script isn't one of the lovely ingredients of the play that you can scoff by itself. If the books are apples, the films are apple pie. What you've got on the page is dialogue and stage directions. What you've got up on stage is the thing. That's just not the case with Harry Potter and the Cursed Child.
The latter is an adaptation of the former, but both are fantastic examples of their medium in different ways. JK Rowling's seven books are one form of art. There are probably plenty more for who the opposite is true. There are people who have read all the Potter books and not seen a single movie.